Authors often speak on the importance of place in writing. It’s quite true. What better means of writing than through your emotional roots connecting to physical places. Take your readers to the where, and the why and who and what and when might fall into place for them in a way you’d hoped. The often intangible places are just as important. Writing about Appalachia, for example – writing as an Appalachian – feels different with each telling. Nevertheless, these stories are centered, obviously or subtly, with a specific cultural backdrop in mind. Remove that, or insufficiently allow it in as a character of importance, and something vital is missing.
But as a writer you know this, don’t you? And like myself, you are constantly trying to do it right.
Since we know what to do and have taken up the challenge of striving to make it work, I’d like to take these moments to celebrate the joys and benefits of place-specific writing.
About half of my work in poetry is obviously rooted in physical
place. Another portion implies a relation with place, another portion floats
about in the mostly intangible locations that fascinate me. Poetry encourages
me reach back into my experience as a human being and re-picture emotional
events. Some are from my earliest memories, some from last week. Some are life
changing moments, some are beautifully mundane.
Perhaps I’ll think again on how much I learned about myself and
my family meditating on the scant remains of my grandfather’s cabin. Or on the
Paw Paw trees my other grandfather planted. Or how tiny the alley along the
side of the house I grew up in feels these days. When I see these places my
mind rushes back to the emotional wrestling required for fashioning those
poems. That place resulted in a poem, I’ll remember. That place feels different
to me now. It is forever with me, no longer some fractured and nearly lost memory.
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